|GH4: remote power, remote/timelapse,
lens: Lumix 14-45mm, M43 adapters to Canon FD, LM39, Leica M, Nikon AI, Konica AR, Four-thirds (manual), PK, OM (+ support pillar), C mount, C/Y. movie: Mitchell NC, PL & BNCR
|Sony A7: remote power, remote/timelapse.
lens: SAL18-55 (APSC), E-adapters to Canon FD, LM39, Leica M, Nikon AI, Konica AR, PK, OM (+ support pillar), C mount, C/Y. movie: Mitchell NC & Pro16, PL & BNCR
|Nikon D50: 6M pixel DX stills camera, Nikon capture PC based timelapse/stop frame s/w (via USB).remote trigger|
|Blackmagic pocket BMPCC: micro 4/3rds,
Varavon cage & handle (lens/adapters as GH4)
[also possible to use DoF adapters?, see below]
Mitchell S35R 35mm camera
|Arri SR2 Super 16mm kit (PL mount) 5.7mm Kinoptic ,9/1.2 ,12/1.2, 16/1.2, 25/1.2 & 15-120/2.8 Zeiss|
|Newall NNC 35mm camera (Rackover Mitchell circa 1954), Cooke Panchros 24-100mm, Baltar 40, 152mm, Ross 75/f3.5|
|Mitchell pro 16mm camera (Rackover Mitchell 1960s, Bausch & Lomb Baltar 15, 25, 50, 100mm)|
|Beulieu R16 (16mm, 8volt, c-mount)|
|Kodak K-100 (16mm, clockwork S mount)|
|Cine Kodak BB 16mm Kodak Anstigmat 1" f1.9,|
|Bell & Howell 627 (16mm, clockwork B&H 627 style threaded breech lock)|
|Bell & Howell 603 16mm Taylor Hobson Serital|
|Bell & Howell 141B 16mm Kodak Anstigmat 1" f1.9, C mount|
|Siemens 16mm (fixed 20mm f2 Schneider K)
+ Several: Bell & Howell & Kodak 16mm clockwork "C" mount etc
Cine Kodak magazine 16mm Kodak Anstigmat 1" f1.9, M mount.
|Newman Sinclair 35mm (no primes, can refit Angenieux 24-240) with animation motors.|
|Morigraf 35mm c1935. (not working: no gate or film mag) Kinoptik f2/25mm|
|various other 16/9/8mm cameras..|
|Digibeta lenses: Canon J9ax5.2B4 (5.2~47mm f1.8), J15ax8B4 (8~120mm f1.8), 9" HR monitor, croziel matte-box. Adapted to M43/BMPCC|
|Sony DXC-M3A videcom 2/3" colour tube camera, Canon J15x9.5B (9.5-143mm f1.8)|
|Canon XL1 DV cam (User Manual), JVC GY-HD101 (PAL720p),+ Fujinon Th6x5.5BRMU (5-88 f1.4).|
Kodak Specialist mk1 4½ x 4½ plate camera
|Sinar (Rodenstock Sironar, W-Nikkor 4.5/150, Congo 135, 210mm)|
|Akarette rangefinder (detachable lens) +45mm SK Zenar|
|Allstar system: PL, BNCR, Mitchell NC > to > Red DSMC, M4/3rds, Sony E-mount|
|Letus 3S Ultimate, lens adapter (Nikon & Canon EF adapters)|
|Brevis DoF adapter|
BNCR primes (35mm), adapters to Red DSMC, M43 or Sony E-mount:
|PL lenses (16mm) adapters to M43 or Sony E-mount:
Kinoptik Tega 5.7mm f1.8,
Cinekowa 9mm f1.2,
Zeiss 12mm f1.2,
Zeiss 16mm f1.2,
Zeiss 25mm f1.2,
Lomo 35mm f2, OKC11-35-1
Zoom Lens: Zeiss/Optex S16 15-130mm f2.4 crozel drag (PL mount only).
Zoom Lens: Angenieux 12-240mm f3.4/5.6
PL lenses (full frame) :
Pelang 8mm fish-eye f3.5 (vignettes at 35mm, ICø27mm, OK 2k Red or S16, M43)
Zeiss 50mm f2 Sonnar, (Arri Std mount/PL adapter)
Helios Biotar 58mm f2,
Zeiss Tessar 80mm f2.8 c1937, very flare prone & white halos. see vintage lens.
Pentacon Sonnar 135mm f2.8,
Zeiss Sonnar 180mm f2.8
Canon FD 200mm f2.8
Pentacon 200mm f4
Note, the schneider Xenon originally for 35mm, the cine-Xenon for 16mm, but as with the Panchros, the longer focal lengths do cover APSC/Super 35.
|NC||Mitchell NC Standard lens
(with or without fixed adapters to Red DSMC (vial Allstar mount), M43 or Sony E mount:
Cooke speed Panchro 1" (24mm) f2 (c 1944)
Cooke speed Panchro 35mm f2 (c 1944)
Cooke speed Panchro 40mm f2 ELC (c 1945)
Cooke speed Panchro Series II 50mm f2 (c 1955)
Cooke speed Panchro Series II 75mm f2, one of the radioactive ones.. now somewhat orange glass.
Cooke deep field Panchro 100mm f2.5 (c 1946)
Bausch & Lomb, Baltar 152mm f2.7
Bausch & Lomb, Baltar 25mm f2.3. (c1947, fixed adapted to NEX only)
Bausch & Lomb, Baltar 40mm f2.3, rear glass centre scratch (but 2nd head in Cameflex)
Bausch & Lomb, Baltar 50mm f2.3 (c1950)
Ross Tessar Series 1c 75mm f3.5 (Bell & Howell 2709 housing, c1915)
|C mount|| C mount lenses
(M4/3 & Sony E-mount via adapters):
Tokina 6.5mm f1.8 "TV lens"
RCA TC1810D EX 8mm f1.4 auto iris, 8 pin RCA control
Computar 12.5mm f1.3 Machined to fit M43 adapter. PBMPCC
Topcor 16mm f1.6 Tokyo Kogaku
CTH Cosmicar (Pentax) 25mm f1.9 vignettes M43, excellent BMPCC
Switar AR 25mm f1.4 lens No.64982 (reduced rear flange, M43 friendly)
Fujia GDS-35 35mm f1.7 (part Mitchell video assist)
Computar 35mm f2.8
Canon TV Zoom v6x16 16-100mm f1.9 (ø58mm) sn157589 (5 pin ctr cable) covers NEX with 1.6x (25-160) Dial style iris. 605gms. BFL too short to allow use of Fujinon 1.5x adapter.
2x Fujinon 16-160mm f1.8 C10x16A-SND2A-M zoom lens
Tarcus 11.5-90 f2 "TV lens". geared, motorised.
Taylor Hobson f1.9/1" Serital,. Sonnar.. Coverage ~ ø17mm
Fujinon 1.5x teleconverter. check vignetting without lens.
Kodak S-mount + 4 off C-mount adapters (these are the famous swirly bokeh lenses):
Schneider-Kreuznach Cine-Tele-Xenar 2.8/75mm ~(1970)
Nikon AI sets:
Nikkor Ai 28mm f2 very sharp images at all aperture settings from f/2 to f/8 with just a trace of corner softness at the wider settings. Slight barreling, Field curvature is modest in terms of wide-angle lenses. Peak performance between f/4 and f/5.6. sharpness suffers beyond f/11 . Unusually resistant to flare & ghosting, eminently suitable for shooting directly into the sun. Cosmetics poor/racking
Nikkor Ai 35mm f2.8 [c1980] ( Close focus: 12") the "new Ai" 5 element design. CLA 2012-well used mount. noticable side flare without hood.
Nikkor Ai 50mm f2 (Close focus: 18")
sharp and contrasty at wide apertures. at f/2, there is just a trace of flare and corner softness, beyond f/2.8 it renders excellent image quality. Despite multi-coating, some flare and ghosting result when the lens is pointed towards the sun.
Nikkor Ais 85mm f2
slightly soft look, for a Nikkor. Good IR lens.
|Canon FD||Canon FD:
Canon FD 1.4x A
Canon FD 2x B
FDn 28mm f2.8, Kiron 28mm f2.0
|Contax RC||Contax RC|
Zeiss Vario Tevidon 18-90 f2 (ex16mm Cine Lens) currently M43 mount, slightly over infinity.
Philips PD7032 clamshell DVD player
video assist Peaking 1280x800 HD 5.6 Inch LCD Monitor Kit HDMI PAL/BNC (Sony NP batteries or 4 pin Canon, 7-15v)
Zoom H1 mic/microSD card recorder. USB, mic/Line-in/out, headphone, WAV/MP3.
AKG CK9 shotgun mic, (2½' long shotgun mics, very directional but relatively thin bass response). 2 x AKGb9 phantom power adapter.